Wednesday Fanart – Andreth and Aegnor

Bit of a drive-by recommendation today I’m afraid! And no, I still haven’t figured out how to insert the pictures into the body of the blog entry rather than just providing a link. However, I do have a lovely picture, this time by Tuuliky and depicting a young Andreth and Aegnor, before age and the “gulf between their kindreds” got in the way. You can take a look here.

(I was going to say that it’s nice to see Andreth depicted as a young woman, but when I typed her name into DeviantArt to track down this picture, I noticed that the majority seemed to depict her that way. I shall have to be on the lookout for anybody going against the grain and drawing her as she is at the time of the Athrabeth!)

Idril Celebrindal

“All these things he laid to heart, but most of all that which he heard of Turgon, and that he had no heir; for Elenwe his wife perished in the crossing of the Helcaraxe, and his daughter Idril Celebrindal was his only child”  – “The Silmarillion”

“She fought, alone as she was, like a tigress for all her beauty and slenderness” – “The Book of Lost Tales”

For someone who routinely interrogates her Tolkien-loving friends and acquaintances about the identity of their favourite female characters (for the record, it’s mostly Eowyns and Galadriels, with the odd Yavanna and one Amarie – seriously, don’t ask) I have a lot of trouble answering that particular question myself. My overall favourite is probably Nerdanel – I admire her wisdom, independence, and creativity. I also like Eowyn, Galadriel (particularly her First Age incarnation), Andreth, and Lobelia Sackville-Baggins. I think Erendis is a sympathetic and well-written character, though I doubt I’d particularly enjoy going out for cocktails with her. And I have a definite soft spot for Idril Celebrindal.

Idril was born in Valinor, the daughter of Turgon (second son of Fingolfin, and later king of Gondolin) and his wife Elenwe. She crossed the Helcaraxe together with the majority of the Noldor and at one point actually fell into the water along with her mother, but was rescued by Turgon (Elenwe, however, was lost). Like many of Tolkien’s heroines she was ethereally beautiful (in this case of the blonde rather than the raven-haired variety) and had some decidedly impractical tastes when it came to fashion – her nickname Celebrindal (“Silver-foot”) stemmed from the fact that she always went barefoot. I only hope she had some sturdy footwear on hand for the escape from Gondolin, because that would have been seriously painful otherwise.

Idril’s beauty and position as only child of the King of Gondolin made her an object of lust for her creepy cousin Maeglin, but she chose instead to marry the mortal Tuor (with a minimum of drama, it must be said). Along with Tuor and their son Earendil (of celestial-being fame) she escaped Gondolin during its fall and settled at the mouths of Sirion, where many escapees from Doriath were already living. Ultimately, she sailed into the West with Tuor, and their fate is officially unknown, though there are legends that Tuor was granted immortality, probably as some sort of “compensation” for the granting of the Gift of Iluvatar to Luthien a few years previously.

So, what is it about Idril that appeals to me? First and foremost, I think it’s the fact that she comes across as a smart cookie. We learn in the “Silmarillion” that she was the only person in Gondolin to see Maeglin for what he was. This is explained in more detail in the “Book of Lost Tales” version of the Fall of Gondolin story, where we learn that like her cousin Galadriel, Idril possessed “a great power of piercing with her thought the darkness of the hearts of Elves and Men, and the glooms of the future thereto – further even than is the common power of the kindreds of the Eldalie”. What is more, Idril isn’t just a better judge of character than her father and pretty much everybody else in Gondolin. She’s also level-headed and practical. She doesn’t just pronounce her foreboding in an ethereal voice and be done with it – instead, she takes action, ordering the construction of a secret passage out of Gondolin (and indeed going behind the backs of her father and Maeglin in order to do so). Her actions were what allowed a remnant of the people of Gondolin to escape the sack of the city. (In the “Book of Lost Tales” version of the story, she actually saves them a second time, too. Once the refugees are on the secret way she ordered built, some wanted to make their way onto the Way of Escape, the traditional escape route from the city. Idril counselled against this, warning that whatever magic was in place to protect the route would not have survived the city’s fall. She turned out to be right, of course – Maeglin had told Morgoth of the Way of Escape, and a “monster” (presumably a dragon) was conveniently stationed along the route to take care of any escapees).

During the fall of Gondolin and the escape of the remaining Gondolindrim from their city, Idril proves herself a practical and prescient leader. She also shows herself to be, if not a warrior, then at least capable of being tough in a pinch. In his discussion of Elven gender roles in “Morgoth’s Ring”, Tolkien says that although under normal circumstances war is the preserve of men, “in dire straits or desperate defence, the nissi (Elven women) fought valiantly”. Idril exemplifies this perfectly, particularly in the version of the story told in the “Book of Lost Tales”. When she and Earendil are captured by Maeglin, we are told that she “fought, alone as she was, like a tigress for all her beauty and slenderness”, fending off Maeglin for long enough to allow Tuor to get to them and throw him off the battlements. She proved indomitable too when it came to rounding up survivors and shepherding them into the secret tunnel she had ordered built: “She fared about gathering womenfolk and wanderers and speeding them down the tunnel, and smiting marauders with her small band; nor might they dissuade her from bearing a sword”.

The final thing I enjoy about Idril is the warmth and comparative lack of drama in her relationship with Tuor. When trying to console Andreth for the failure of her relationship with Aegnor in the “Athrabeth Finrod a Andreth”, Finrod Felagund tells her that in his view, marriages between Elves and Men would take place only “for some high purpose of Doom. Brief it will be, and hard at the end. Yea, the least cruel fate that could befall would be that death should soon end it”. Of course, the birth of Earendil undoubtedly qualifies as a “high purpose of Doom”. However, the relationship between Idril and Tuor (or at least what we see of it) seems to be completely devoid of the angst Finrod identifies as an inevitable component of such mixed marriages. They clearly care deeply for one another, and for Earendil. What is more, it’s a good partnership. Unlike some of Tolkien’s male characters who happen to be married to a woman blessed with greater wisdom and foresight than their own (Thingol, I’m looking at you), Tuor is respectful of Idril and heeds her advice, even when he doesn’t quite understand the reasoning behind it. In the end, of course, it’s her advice combined with his willingness to heed it that saves them and their son, along with a portion of the rest of the population.

That’s all I really want to say about Idril herself for now. However, the story of Idril and the Fall of Gondolin does raise one further question which I think is important. Idril’s status as Turgon’s only child (but not his heir) raises the question of female succession and leadership amongst the Noldor. I won’t talk about this too much, as I’m planning to look into the question of female leadership (more generally, not just amongst the Noldor or the Eldar) for my next post. We learn in the “Laws and Customs of the Eldar” that male and female Elves are more or less equal in terms of their mental and physical abilities, even though Tolkien (ever the man of his time!) was quite to reassure us that they nevertheless choose to engage in different pursuits reflecting traditional views of what was appropriate for men and women. What is more, it’s pretty clear from the Fall of Gondolin story that Idril possesses many of the necessary qualities for leadership. However, Aredhel’s tales of Gondolin to Maeglin in Nan Elmoth stress the fact that Turgon has “no heir”. It seems clear from this that women among the Noldor do not occupy leadership positions and are not viewed as potential heirs, even when the king has no sons. The question is – why? After all, male and female Elves are acknowledged to be equal, and the “Laws and Customs” states explicitly that although there are certain customs and traditions regarding the roles assigned to each gender, these are by no means hard-and-fast rules. It’s a bit of a conundrum.

Wednesday Fanart

I finally received my copy of the “JRR Tolkien Encyclopedia” the other day, and it has a whole entry devoted to fan art, which I think counts as an endorsement. Which is a good thing, as there are a lot of wonderful artists out there producing beautiful works of art inspired by Tolkien’s works. In honour of that fact – well, really because there’s such a lot of great art out there and I want to make sure everybody sees it – I’m going to be highlighting a piece of fanart I particularly like every Wednesday. (And yes, I know that “Friday Fanart” would work better for the alliteration, but on Fridays I’m far more likely to go to the cinema or get drunk and completely forget to do this than I am on a Wednesday, so Wednesday it is!)

The first piece of art I’m going to recommend is one I’ve already highlighted on the blog – it’s “Family” by liga-marta from DeviantArt: Family. The picture depicts Idril, Tuor and Earendil escaping from Gondolin – Tuor carries a sleeping Earendil in his arms, while Idril has stopped momentarily, presumably for one last look back at Gondolin. I chose this picture in large part because I just love how all three characters are depicted in it – Idril’s sadness and Tuor’s quiet strength really shine through here, and Earendil is adorable. The other reason is that I’m in the middle of writing what is turning out to be something of a love letter to Idril Celebrindal, so it seemed appropriate!

Finally, I just have to mention how much Tuor and Idril’s no-nonsense parenting style in the “Book of Lost Tales” version of the Fall of Gondolin amuses me. They clearly don’t believe in sugar-coating the truth as far as Earendil is concerned, which gives us scenes like this:

EARENDIL: Mum, Dad, where is Salgant? He’s funny.

TUOR: Salgant’s dead. Now shut up, we have a long way to go.

EARENDIL: (cries).

(Ten minutes later)

EARENDIL: Mum, Dad, where is Ecthelion? I want him to play with me.

IDRIL: He’s dead too, sweetie. A Balrog drowned him in a fountain.

EARENDIL: (crying) I hate Balrogs! I hate Gondolin! I never want to go back there, ever!

TUOR: Well, today’s your lucky day, because the whole place was destroyed along with all your toys, and your grandad got crushed underneath his own tower.

EARENDIL: (wails).

(N.B. I’m sure there is a way to actually insert images into the text of my blog – I just can’t for the life of me work out what it is! So the link will have to do for now).

Unfinished Tales, Unanswered Questions

“‘Mercy!’ cried Gandalf. ‘If the giving of information is to be the cure of your inquisitiveness, I shall spend all the rest of my days in answering you. What more do you want to know?

‘The names of all the stars, and of all living things, and the whole history of Middle-earth and Over-heaven and of the Sundering Seas’, laughed Pippin. ‘Of course! What less?'”

– “The Two Towers”

Before I get on to the main topic of tonight’s post, I’m sure it’s not got unnoticed that JK Rowling’s seismic revelations regarding Ron and Hermione produced a small aftershock in Middle-earth, when it emerged that WH Auden criticised the Aragorn-Arwen romance (such as it is) in “The Return of the King”. (If anybody hasn’t seen it, the Guardian covers the story here: Incidentally, I don’t think I’ve ever seen so many Silmarillion references on the comments page of an article published by a major mainstream newspaper!)

I’ve made no secret of the fact that Arwen is far from my favourite female character in Tolkien, and that in many ways I think Jackson and company did the right thing in bringing her more into the foreground (though I could have done without the whole “Arwen’s life force is now tied to the ring” complication. What was that about, anyway?) In the books, the fact that she’s such a fleeting, barely-registered presence in the Rivendell chapters only to show up again at the end can make the story of her and Aragorn feel rather like an afterthought, particularly for anybody whose copy of the books doesn’t include the Appendices (or who doesn’t read them). However, I think that quite aside from the merits of the “Tale of Aragorn and Arwen” itself (which I personally think is quite poignant), the inclusion of his marriage to Arwen provides us with a degree of certainty that the succession is assured, and that Aragorn won’t be hailed as the returning king only to fail to reproduce and then become the last king. But that’s just my opinion. What does anybody else think?

Now for something completely different! Spending a fair bit of my free time delving into a mythology as deep and complex as that created by Tolkien gives me a great deal to think about, and raises as many questions as it answers. Thanks to the expansive and incomplete nature of the legendarium, quite a few of these can’t be answered. Leaving aside questions about the wingedness of Balrogs (they aren’t) and the identity of Mr. T. Bombadil Esq. (I don’t care), here are a few questions I’ve been mulling over lately. (Looking back over them, it really stands out to me how Silmarillion/First Age-centric I’ve become of late! Oh well…)

1) If Orcs originate from captured and corrupted Elves, are they immortal? Do they go to the Halls of Mandos? If yes and yes, do they stand a chance of being redeemed and released from the Halls? (Okay, that’s multiple questions. But as cans of worms go, the whole issue of the Orcs, their origins, their relationship to the Elves and their potential redeemability fascinates me)

2) We know from the cases of Glorfindel and Finrod Felagund that Elves can be released from the Halls of Mandos into Valinor. What about those Moriquendi who die – are they also compelled to remain in Valinor? How do they feel about that, given their attachment to Middle-earth and their reluctance to go to Valinor in the first place? (I can’t see Eol, for example, taking it lying down – though he’s surely pretty low down the list of people slated for release).

3) What was the political situation amongst the Noldor once the Exiles started to return (and others began to be released from the Halls)? Having Finarfin in charge of the rump of the Noldor when there were only a handful of them left in Valinor made sense – but by the end of the Third Age, I’m assuming that more of the Exiles were starting to reappear one way or the other. In addition to that, you have Sindarin and Silvan elves making an appearance, who were not previously present in Valinor but would presumably be reluctant to live under the authority of any of the existing rulers. Does each group therefore go off on its own to live as it sees fit, under the auspices of the Valar (and probably of Ingwe, snore…)?

How this would work, and how the different cultures would relate to one another (in addition to the differences between Noldor, Sindar, Silvan etc. you also have the distinctions between different groups of Noldor after so long apart – I always felt that the Gondolindhrim, for example, had quite a distinctive culture) is really fascinating to me. If somebody wants to write a hugely ambitious fanfiction exploring all these issues – maybe with Galadriel seeking to find her place once she returns – then I promise I will be your most attentive reader!

4) Sort of related to the last two questions – how did the Sindar and the rest of the Moriquendi feel about the Noldor dividing up the continent of Beleriand amongst themselves, and later about people like Galadriel setting up realms in Middle-earth proper? We get hints of this with characters like Thingol, Eol and Nimrodel, but more information would be great.

5) Dior Halfelven (son of Beren and Luthien) and his children – are they mortal or not? Elwing obviously chooses to be immortal once she’s given the choice later on, but to my mind it makes no sense for Dior to have been born immortal given that his parents were both mortal at the time of his birth. Obviously this is a fairly minor question, but for some reason it’s always bugged me!

6) I’ve mentioned this one on the blog before – why was the Numenorean tradition of the eldest child of the previous monarch inheriting the sceptre regardless of gender not carried across to Gondor and Arnor? The custom doesn’t appear to have been particularly controversial in Numenor, and the line of Elendil traced its claim to the throne back to a woman (Silmarien). It seems extremely odd for them not only to have abandoned the rule of succession by the eldest child, but also to have apparently adopted a form of Salic law whereby women are forbidden to succeed to the throne outright (there was not a single ruling Queen of Gondor or Arnor, after all).

So, those are my questions. Does anybody have any more?

Queen of the Lonely Isle: Meril-i-Turinqi

“Fellowship is possible, maybe, but kinship not so, for Man is Man and Elda Elda, and what Iluvatar has made unalike may not become alike while the world remains”

– Meril-i-Turinqi, “The Book of Lost Tales”

A few months ago, I moved back from South America to the UK – and a few weeks ago, I finally received my shipment of household goods, including my Tolkien books (which spent a couple of months sitting in a Colombian warehouse, making it rather difficult for me to do the research necessary to keep up with the blog!) To celebrate having them back, I decided to do an entry on a character from one of the obscurer reaches of the legendarium – Meril-i-Turinqi, Queen of the Elves of Tol Eressea in the “Book of Lost Tales”. Unlike the other characters I’ve looked at so far as part of the blog – including characters such as Andreth who similarly appear only in the “History of Middle-earth” series – Meril is one character who we can’t say for sure even exists in Tolkien’s final conception of the story. When Gandalf, Galadriel, Frodo et al disembark on the shores of the Lonely Isle post-RoTK, are they arriving on an island ruled by this teller of tales and dispenser of limpe? On the one hand, there’s nothing anywhere to contradict it. On the other, so much else from the Lost Tales era fell by the wayside, and the tales themselves ended up so fundamentally altered, that there’s absolutely no guarantee that Meril was still envisaged as part of the scene.

All that said (phew!), who exactly is this mysterious character? She’s described by others in the Book of Lost Tales as the Queen of the Lonely Isle – and although it’s not made clear exactly what degree of authority she wields or how, this is enough to mark her out as one of the few female authority figures to make an appearance in Tolkien’s works. No king or other male authority figure is mentioned in conjunction with her, meaning that whatever authority she wields, she does so entirely by her own right (something which can’t be said for, say, Galadriel or Melian). Indeed, from the few references in the text to who she is and why she holds the position she does, it seems clear that she derives her authority from her lofty ancestry. She is first mentioned in the text as a descendant of “Inwe” (presumably a forerunner of Ingwe, High King of the Noldor and licker of the Valar’s boots – er, sorry, let out my inner Feanorian for a moment there!) and later informs Eriol (the mortal mariner whose experiences on Tol Eressea are the framework for the telling of the Lost Tales) that she is also related to the Shore-pipers – the Solosimpi, who would later evolve into the Teleri. If, as seems very likely, this ancestry is the reason why she occupies the position of Queen, then it’s the sole example I can think of where an Elven woman is a hereditary monarch.

As far as her actual purpose within the text is concerned, Meril is a dispenser both of healing and of wisdom. Her home, set amid flowers and elm-trees, is described in idyllic terms and provides a respite from the cares of this world (and for Eriol, a respite even from the sea-longing, that most Tolkienian of afflictions). The drink she provides (limpe), meanwhile, appears to be possessed of restorative properties far beyond the miruvor of Rivendell: it is through the drinking of limpe, we learn, that the “hearts (of the Eldar) keep youth”. However, her dwelling is not merely a place of escapism: Meril is also a dispenser of wisdom and a teller of hard truths. Her refusal to allow Eriol to drink limpe, and her assertion of the fundamental differences between Men and Elves (“Man is Man, and Elda Elda, and what Iluvatar has made unalike may not become alike while the world remains”) could have come from the mouth of Finrod Felagund himself in the “Athrabeth Finrod a Andreth”.

As I mentioned further up, it’s not at all clear whether or not Meril survived into Tolkien’s later conception of the legendarium. What is clear, however, is that something of her survives in later, more fully-realised characters such as Melian and, in particular, Galadriel. I’m not the first person to point this out. John Garth, in his wonderful book “Tolkien and the Great War” (seriously, if you haven’t read it, check it out!) points out the similarities in their dwelling-places (“She (Meril) lives among her maidens in a ceremonial circle of trees in Kortirion, like Galadriel in her city of trees in Lothlorien”) and in their functions (“Both elf-queens are repositories of ancient knowledge, but each also is the source of a supernaturally enduring vitality: Meril through the marvellous drink limpe that she dispenses, Galadriel through the power to arrest decay in her realm”). The two women even share a similar ancestry: Galadriel, like Meril, is descended from the Vanyar (Meril through “Inwe”, Galadriel through Indis, second wife of Finwe), and both are also related to the Solosimpi/Teleri (Galadriel’s mother Earwen is the daughter of the king of Alqualonde). So even if Meril (as seems likely) did not survive into Tolkien’s final conception of the political configuration of Tol Eressea, the idea of the great queen of illustrious ancestry who is simultaneously a dispenser of healing and wisdom did survive, and gave rise to one of the most memorable characters and sequences of “The Lord of the Rings”.